The Work

Abandon Human is a structured play between a lighting designer and two performers. What is important about the two performers is that one is mid-60’s and one is mid-40’s. They have worked and played together for twenty years. They are female. They are ‘unruly women’ (behaving inappropriately especially for their age and stature). They are mothers. Katie and Sharon have daughters. It’s a woman thing. They have shared a friendship that has grown into family feelings over twenty years.

This work seemed to explode all that, all those… feelings… all over the stage. Having a child is a most vivid, unbearable emotion…  Irretrievable loss. You cannot put them back in, once they have torn themselves from your belly via vagina or scalpel, they set in motion a certain grief… a slow, life-long, death-looming loss. They leave you and leave you and leave you.  And that is your job. To help them do just that. The love is so strong that you can deal with their shit, their piss, their selfishness and their hatred… of you.

They laugh at themselves, like witches, like monsters. The performance is physical, the performers move, shout, sing and tell stories built from lives lived, fictionalised by survival. The title was a combination of ‘abandon ship’ and some sort of ‘you can’t run away from yourself’ reality check. Somehow, ‘being human’ is what we are stuck with. Abandon human is like a punk band. It feels like a gig.

It is structured by a pre-recorded sound score of chaos and songs, songs written by women, songs written by women, for men. The soundtrack contains the action, haunted by female song writers who we love shamelessly and who we want to be in the room with us. There are others, but of course there is not enough space or time in one room (however grand) to include all the awesome women who wrote songs that speak through us and to us, in the work… in the life.

The performers in Abandon Human try to ‘get off, shake off, escape’ the shabby constructs that define them, position and police them. Observe them, like one might watch animals in the zoo, artefacts/relics in a museum. They are performing for you, at you, with you, affected by you.

Our raw materials are played loose in the performance setting without a lid on how it will evolve performance to performance.

50 minutes.

 

 

The Artists

 

Katie and Sharon have known and worked with each other off and on since the mid 90”s. They share a fondness for keeping their pieces in real time with an edge towards an anti hierarchical artists role with public’s.  They look allot a like. Yet they are not related.

Katie and Sharon have known and worked with each other off and on since the mid 90”s. They share a fondness for keeping their pieces in real time with an edge towards an anti hierarchical artists role with public’s.  They look allot a like. Yet they are not related.

Click the names for more information about the artist’s and their backgrounds.

Sharon Smith:

My name is Sharon Smith. I am a performance maker and a performer and sometimes I teach and write. I live in Berlin. I am part of the arts collective Gob Squad and have been collaborating with them since 2007. I am a feminist. I often have a sense of being unrepresented in the-real-world-out-there. Language often doesn’t serve me well, words fall short of what I think I mean. Words serve to mask what it is I am trying to say. And because/in spite of this, I write.

Katie Duck:

I am a performer maker and teacher since the early 1970’s. I live in and love Amsterdam. I have worked with musicians, dancers, performance aritst’s and actors internationally for 40 years. I am a female traveling through time warps past to present day as witness and participant. Distressing events occur daily with sport metaphors defining winners and losers tucking our feelings in a pocket of our consciousness until eventually panic attach grips the spirit and anything social seems beyond reason. The human condition to feel what we see and hear is numbed, boxed away in the normal. Emotions are messy. Creativity is messy. My life my work is messy.

Emese Csornai:

I am a light designer with a visual art background mainly specialised in installation, performance and light design. My installation practice lead me to lighting design, my lighting practice to directing and they keep on developing each other. I live in Berlin since 2015, I give workshops, light pieces, roll cables, climb ladders, direct dance shows, improvise with light. I find it liberating to shed new light on politically imposed topics, and gain depth of insight, and find distance from flat terminologies. I am busy re-contextualizing the subjects of my interest. Hierarchy bores me, easy fixes, common standards do too. All theories and pioneering separable from the direct influence of money and mental slavery interest me.

Video

Promo “Abandon Human” Dock 11 April 7 and 8, 2017

Full 50 minutes “Abandon Human” registration, Dock 11 April 7, 2017,  is available by requests (katie@katieduck.com)